![]() ![]() ![]() The third and final chapter delves into the concept of the multiverse, examining its origins in both physics and literature, paving the way for a comparison with The Dark Tower's multiverse. Notable characters like Roland, the Man in Black, and the Crimson King are analyzed, alongside the rich mythology of Mid-World, various creatures, and the diverse languages and gestures used in the series. ![]() The second chapter further immerses readers in the multifaceted universe of The Dark Tower, dissecting character dynamics, religion, folklore, creatures, geography, and languages. ![]() It also explores the series' publication history and its deep interconnections with Stephen King's multiverse, wherein every universe exists at distinct levels of existence. The first chapter provides a comprehensive introduction to the world of The Dark Tower, delving into the story's symbolic interpretations and the concept of ka and khefs, akin to destiny and relationships. Careful selection of primary and secondary sources forms the foundation for this analysis, with a focus on the direct sources of the Dark Tower series, as well as related works by King and other authors, and even references from the field of physics to explain the concept of a multiverse. This thesis scrutinizes how the narrative elements of Roland's epic journey transform and adapt when conveyed through various mediums, including books, comic books, film, and video games. "Stephen King’s The Dark Tower: A Transmedial Storytelling" delves into the intricate and expansive universe created by Stephen King in his magnum opus. ![]()
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